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Photographer resume example

A working photographer’s one-pager — the exact document our Frame template produces, scored against our 30 published ATS rules. It leads with what corporate and editorial buyers check first: how fast the selects arrive and whether clients renew.

93/100interview-ready

Measured by exporting this exact resume and running it through the 30 rules we publish. That is inside the interview-ready band our checker uses (85+). We simply reserve the certified badge for 90 and above, so this is a strong template that misses a deliberately strict bar — not a weak one.

Download sample PDF

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Jack Yates
Photographer
jack.yates@example.com·(555) 902-4416·London, UK·jackyates.com
Profile

Commercial and editorial photographer with eight years across product, food and live events. Five hundred studio shoots for brands and agencies, stills for 30 festivals and tours, and a delivery record of 98% on or before the agreed date. Lights it once, properly, and gets the client home on time.

Experience
Photographer
04/2021 – Present | Aperture & Co. Studio
  • Shoot 120 to 140 commercial days a year: product, food and lifestyle for 40 brands and 6 agencies
  • Lead photographer on a 900-SKU e-commerce catalogue delivered in 12 weeks with a 0.4% reshoot rate
  • Run the studio's two shooting bays, lighting inventory and a team of 3 assistants and a digital tech
  • Won 4 retained clients worth £180,000 a year through test shoots and treatment decks
  • Deliver retouched selects within 5 working days on 98% of jobs
Photography Assistant, then Photographer
06/2017 – 03/2021 | Litim Studios
  • Assisted 300 shoots for editorial and advertising clients before moving to shooting in 2019
  • Shot 150 product and food jobs in two years, including two national supermarket campaigns
  • Built the studio's colour-managed capture-to-retouch workflow in Capture One
Freelance
Festival and Tour Stills Photographer
11/2019 – Present | Independent
  • Official stills for 30 festivals and tours; images licensed to NME, The Guardian and the artists' labels
  • Deliver 80 edited images to press within two hours of a headline set
Education
2014 – 2017 | B.A. (Hons) Photography
University of the Arts London, London College of Communication
Achievements
Pink Lady Food Photographer of the Year, finalist2024
AOP Assistant Award, shortlisted2018
Skills
  • Studio strobe and continuous lighting
  • Product, food and still life
  • Live events and low light
  • Tethered capture
  • Capture One
  • Photoshop retouching and compositing
  • Lightroom
  • Colour management and print prep
  • Treatment decks and estimates
  • Set building and styling liaison
  • Asset delivery (Pixieset, Frame.io)
  • Licensing and usage rights

The live document, not a screenshot. Names and employers are fictional.

Why these bullets work

Every line below is taken verbatim from the resume above.

Shoot 120 to 140 commercial days a year: product, food and lifestyle for 40 brands and 6 agencies

Commercial buyers hire capacity. Days a year, categories and client counts are the units they think in.

Lead photographer on a 900-SKU e-commerce catalogue delivered in 12 weeks with a 0.4% reshoot rate

A catalogue of that size with a reshoot rate under half a percent is a production statement, not a portfolio one.

Won 4 retained clients worth £180,000 a year through test shoots and treatment decks

Retainers are the difference between a photographer and a studio business; the pound figure makes the point without saying it.

Deliver retouched selects within 5 working days on 98% of jobs

A turnaround with a hit rate is more persuasive than 'fast turnaround' because it admits the 2%.

Making it yours

  • Lead with your delivery window — 48 hours, five days, whatever you truly keep — and make every role bullet answer ‘how much, how fast.’
  • Name renewals and retained clients wherever you can; buyers weigh them above awards.
  • Keep the software list to tools you would demo on a call.
  • If your work has been published or licensed, say where — one title beats ‘featured in various publications.’

Common questions

Portfolio or resume — which matters more for photographers?

The portfolio wins taste; the resume wins trust. Corporate clients, agencies and NGOs route hiring through someone who files documents — that person compares delivery windows and renewal rates, not bokeh.

Can I edit this example?

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